Everyone Was Kung Fu Fighting: the Story of Ip Man

by Jonathan Burrello

For all the serious movies I watch (Tarkovsky, Mizoguchi, Bergman, Kubrick and the other wonderfully artistic “highfalutin” films I enjoy), I do confess I have a weakness for the kung-fu flick. Action is fun to watch and as a guy it’s sometimes hard not to be fascinated by violence and destruction in movies. Watching a building collapse or a car chase, or dinosaurs fighting each other, or Bruce Willis jumping off a roof with a fire-hose bungee cord is fun and exciting. Naturally the martial arts epic must enter one’s peripheries at some point. Ever since I saw a Jackie Chan marathon on TV as a kid I was hooked. The kung-fu movie gets a lot of flack sometimes for being fairly thin when it comes to plot, but the incredible athletes and personalities that have emerged from it are what draws us. Every move Bruce Lee does is astonishing to watch and there’s something eternally fascinating about using only your body as a weapon.

Recently, it seems, there has been a rebirth of kung-fu (for the west anyway). Ang Lee’s “Crouching Tiger, Hidden Dragon” (2000) reminded everybody that you could have a good mythical story alongside ballet-like violence. Then we got Jet Li in Zhang Yimou’s  “Hero” (2002) and Stephen Chow gave us an incredibly zany Looney Tunes-esque action comedy in “Kun Fu Hustle” (2004). These films were all wonderful (and maybe the first two considered more Wuxia than traditional martial arts) and had great action and stories, but they were more stylistic and employed more wire-fu and special effects than the traditional martial arts films from the 70s and 80s. Out of Thailand came action star Tony Jaa in “Ong-Bak: Muay Thai Warrior” (2003). The stunts were real and gritty once more and the action was great, but the story was now missing again. I am happy to report that another martial arts epic has come about and puts back good old-fashioned fights with a really decent story. Wilson Yip’s “Ip Man” (2008) stars Donnie Yen (“The Iron Monkey,” “Shanghai Knights”) as the legendary grandmaster of the Chinese martial arts technique known as Wing Chun, Yip Kai-man (1893-1972), and the man who would eventually train Bruce Lee and many others.

I confess that as a westerner my actual knowledge of the history and meanings behind all the various styles of kung-fu is pretty minute, and admittedly I do not recall actually hearing of Ip Man before this movie, but it definitely filled me in…even if the movie is a rather loose treatment on the real man’s life. The film takes place in Foshan, China in the 1930s just before and then during Japanese occupation. Ip Man (Yen) is a leisured aristocrat and well respected member of the community. He has a loving wife (who does not exactly support his martial arts practice) and a young son who he realizes he must spend more time with. The citizens of Foshan regard Ip Man as a quiet but deadly master of Wing Chun, but he would honestly rather not fight anybody (reminded me of John Wayne in “The Quiet Man”). A foreign bully from the north (played Fan Siu-wong  of “Riki-Oh: the Story of Ricky” fame) arrives in town and, desiring to set up a martial arts club in Foshan, he viciously beats up every master in town save for Ip Man. The fight that follows is indeed wildly entertaining.

The story jumps ahead a few years after the town of Foshan is oppressed by Japanese invaders in the Second Sino-Japanese War. Ip Man has lost all of his possessions but maintains his dignity and lives in a rundown shack while his dedicated wife pawns everything to buy rice (kinda reminded me of Omar Sharif in “Dr. Zhivago”). To support his starving family he gets a job as a coolie shoveling coal in a filthy quarry. It is not long before a former Chinese friend has returned as the mouthpiece for the Japanese army and announces that the quarry workers can earn a bag of rice if they defeat Japanese karatekas for the amusement of General Miura (Hiroyuki Ikeuchi), who is an obsessed karate master. Ip Man initially refuses but when his friend who volunteers never returns, he decides to go to defend the honor of his fallen friends, avenge the death of countless Chinese, and reclaim the honor of Chinese martial arts.

Before entering the tournament Ip Man witnesses another friend and kung-fu master doing battle on the mat surrounded by Japanese karatekas awaiting their turn to fight the Chinese workers. General Miura watches menacingly from the platform above. Ip Man then watches helplessly as his friend is shot through the head following the match (against Miura’s command). Ip Man requests to go next and further requests that he face not one but ten black-belts at once. If this fight does not pull you into the movie then nothing will. His prowess in Wing-Chun, although a bit rusty, is no match for the attacks of his enemies and he glides between them with grace and deadly accuracy as he systemically annihilates them all. He departs enraged and stoically defiant to the General’s questions (although the fearful translator disguises this fact).

Back in the wounded town, Ip Man is asked to defend an old friend’s cotton mill from bandits (led by the northern bully whom Ip Man defeated in battle earlier in the movie) who are stealing their product and demanding money and threatening violence. He graciously agrees to teach the workers Wing-Chun and the audience gets a kung-fu training montage (yep, they still do ‘em). When the bandits return a big battle is ignited as the workers fight back and the bandits up the ante by bringing out axes, but Ip Man shows up and throws down real good with the thugs and chases them off.

Ip Man’s incredible abilities have earned him respect and fascination in the mind of General Miura. Miura seeks to bring Ip Man back for more tournaments, but Ip Man is forced to take his family and hide when he beats up the Japanese soldiers who come for him and attempt to rape his wife. Desperate to find him, the soldiers attack the cotton mill and force Ip Man to show himself. With the soldier who he beat up ready to shoot him and General Miura threatening to allow him to be shot unless he trains his Japanese soldiers, Ip Man challenges the General to a public match: a challenge the General’s ego will not allow him to decline. For the final battle all of the stakes are raised to the umpteenth level. A nasty Japanese soldier threatens to kill Ip Man if he wins and his wife and child forced to flee Foshan and all of the town gathered for the public spectacle, you could not ask for more suspense. All of China’s morale and pride rest in the fists of Ip Man. It is assured to be a match to remember and it will ultimately bring national shame to the losing party.

“Ip Man” has all of the classic moves a good kung-fu movie should have and the fight scenes (choreographed by “Spooky Encounters” star Sammo Hung) are fantastic. The story builds and continues to create urgency, suspense, and danger up until the last scene.  It’s a compelling plot about a man who has had his world torn apart and the only thing left to do is to stuff his peaceful demeanor and kick butt. Donnie Yen and the rest of the cast give fine performances and the cinematography is also top notch. The story takes its liberties with the real Ip Man’s life, but it is perfectly forgivable when you consider how much fun the movie is as a whole. The kung-fu action movie is back, folks.

The sequel, “Ip Man 2″ (2010), brings the cast back and features Sammo Hung as a cantankerous martial arts master in Hong Kong and sees Ip Man fighting a cocky, belligerent (and rather obnoxious) British boxer (reminded of Mr. T in “Rocky III”). Although the stakes are never quite as high, more fights seem bloated or forced, there’s an influx of what appears to be some wire-fu, and the western boxing is never as interesting to watch as the kung-fu business, it is a fun sequel about restoring national pride through the unifying power of martial arts. For fans of the martial arts epic, “Ip Man” might be exactly what you’ve been waiting for.

Top 10 Reasons to See “Ip Man”

1. It revitalizes the kung-fu genre in a big way.

2. It combines first rate action with a solid story.

3. If you like Bruce Lee and were ever curious about the legend who trained him you have to see this movie.

4. He fights ten guys at once.

5. The historical context grounds the film in serious emotion.

6. It doesn’t take itself so seriously that it is devoid of humor.

7. Donnie Yen is a rising star in the west, come see why he’s huge in China.

8. It’s got great battles for cultural pride (like the World Cup or the Olympics!)

9. The fight choreography is great, gritty, and real.

10. Filming was supervised by Ip Man’s son.