Ken Burns’ Prohibition

by Andrew Matthews

We used to be a load of drunken assholes. Around the turn of the century the average American drank three times more than they do today. One hundred years ago your drunkest friend would be ridiculed by the town Sunday school teacher for not gulping down an adult portion of whiskey. We were so drunk for so long that we actually let a group of old haggard right-wing Christian woman, dutifully followed by their pussy whipped, mustachioed husbands succeeded in passing a constitutional amendment to ban alcohol in all its forms forever from the United States of America, an idea so radical, so outlandish, that it was the equivalent of banning breakfast. Ken Burns’ documentary, Prohibition, meticulously documents the wild ride we took to ban booze.  The story is told in the usual Ken Burns style, which is good if you’re into that sort of thing.

The 18th amendment was widely disregarded. It vilified booze so only villains could have booze. Any bumpkin with a bath tub and some corn could become Scarface over night and could roll down the street in his new Rolls Royce wearing a fur coat drunk as hell “fuck the police”, knowing everyone was on the take. From the president to the mayor the local pigs, everybody drank. The amendment was only popular with the kind of people you wouldn’t want to associate with anyway. People’s drinking habits changed only in the way that they started dressing up and drinking with woman instead of just with the good ole boys. Everybody who was anybody cramped themselves into basement speakeasies and did the crazy floppy leg dance. When you get both the sexes drinking and dancing together one thing eventually leads to another and before you know it you have a full one sexual revolution on your hands. For the first time the American male was introduced to the drunken Snookie style of American female. Loaded, loud, and dressed like a five dollar whore, the flappers became an icon and redefined what it meant to be a woman.

It wasn’t all gin and pus though. Gangsters took control of the city streets. Aided by crooked cops the likes of Al Capone and Bugs Moran ran cities like Chicago giving the good people a steady supply of booze and hookers. Capone and Moran’s fueled came to a head on the St. Valentine’s Day massacre. It made people step back, take a deep breath, look around and say, what is going on here.

Prohibition is a film about good ol’ American FuckyouI’mgoingtdowhatIwant- ism, the very principles that founded our great land.  Burns gives us a look at how the people really thought and acted with photos and videos form the time period. It moves at the pace of a history lecture but if your patient with it you’ll learn something, that nothing is new under the sun. Our grandparents liked to get wasted and finger bang each other just as much as we do now, everyone’s always wanted to be a gangster, and people are always going to do whatever they want to no matter what the consequences

Ken Burns’ Prohibition is a cautionary tale about the moral minority championing a single cause all the way to the highest levels of government. The, would be, do-gooders tried to save Americans from themselves but instead caused a huge backlash, it over taxed judicial systems, overflowed prisons, and invited open disregard for the law that many Americans thought was unjust. Thankfully we have learned our lesson and there is nothing like it today.

Photos

djhobby.blogspot.com

flickr.com/photos/castlekay/3030317484/

crimespace.ning.com

The Worst Movies I Have Ever Seen

by Andrew Matthews

Before I get started I want to make a distinction between a bad movie and a “bad” movie. A “bad” movie is so bad that people line up for blocks waiting to see it a midnight. A “bad” movie is shameless, bold, and unapologetic. It is as rare to find a “bad” movie as it is a really good one. The entire cast and crew has to have a childlike ignorance of the entire film making process. A really “Bad” film is one that looks like babies have made it. In contrast a bad movie is often made by perfectly competent film makers but just turned out awful. You can only watch a bad movie once and it sticks with you and leaves a bad taste in your mouth for up to weeks at a time:

The Number 23 (U.S.A. 2007)

To this day I still have a guttural reaction every time I even hear someone even mention this movie. My main contention with the film is that it didn’t make any damn sense. Jim Carrey plays Walter Sparrow, a man who is, somehow, tormented by the number 23. It turns up everywhere when he discovers that if you find the right math formula, pretty much any set of numbers will equal 23. This is unusually upsetting to poor Mr. Sparrow and he embarks on a journey to find out what ominous force is behind this. Along the way he discovers that the whole thing is a conspiracy and his whole life until then was a lie. How can a number follow you around and then cover up a conspiracy ending with the deaths of several people (best part: a guy slits his own throat for no reason at all) you may ask. I have no fucking idea either and that’s why The Number 23 is number one on my shit list.

The Happening (U.S.A. 2008)

Watching M. Night Shyamalan’s career unfold is like watching a grown man slowly being beaten to death with a sock puppet. Unbreakable – not bad, The Sixth Sense – good, I didn’t see SignsThe Village was a little iffy, and the Lady in the Water was just poor, but none of these can match The Happening for pure awful. First and foremost: in the first 10 minutes they outright tell you that the plants are pissed off at people so they are killing them. So a group of people flee the angry vegetation by leaving the city and driving straight into the woods. The rest of the film is Mark Wahlberg walking around looking concerned. If plants are what Shyamalan chose to be the killer in his big budget thriller I’d like to see what didn’t make the cut. I really can’t think of anything less menacing or more avoidable. Recently Mr. Shyamalan made The Last Airbender, a movie so bad that even the die hard fans of the cartoon denounced it. Lets just hope that sock puppet finishes up soon.

The Brown Bunny (U.S.A. 2003)

Vincent Gallo’s The Brown Bunny would have made a really good short. As it is, 95% of the film is a useless waste. The film is about a motorcycle racer’s trip to California to visit his girlfriend, and the film is just that…a man, alone, driving in a car to visit his girlfriend. The only reason I, and probably everyone else, saw the film is that it contains the first real onscreen blow job. Still though, not worth it. The blow job was the center piece of the film. A blow job isn’t even the center piece of a porno. The Brown Bunny tries to be an edgy art film but comes off as absurdly self-indulgent.

Zoo (U.S.A. 2007)

I was in love with Zoo as soon as I read the description on Netflix. A man has sex with a horse, and then dies from anal bleeding. How in the world can you make a boring documentary about that? Well Robinson Devor managed to do just that. The story centers around a farm that caters to zoophiles (people that like to get weird with animals). The farm came into the national spotlight when one of its patrons died after a visit. There was considerable public outcry and politicians and radio show hosts jumped on the story. There was also a leaked video of the man in a compromising position with a large farm animal, known as “Mr. Hands” that went viral on the Internet. What I enjoy about documentaries is that they are centered around people and their emotions. Zoo was narrated solely by interviews of the people involved which ended up stripping the humanity out of the story and making it a grotesque pantomime.

Pictures

http://www.iwatchstuff.com/2008/02/the_happening_trailer_has_disa.php

http://media.photobucket.com/image/jim%20carrey%20the%20number%2023/jon_heras/Jim_Carrey_in_The_Number_23_Wallpap.jpg?o=3

http://goneelsewhere.wordpress.com/2008/09/29/the-red-white-and-blue-bunny-vincent-gallo-to-hoist-flag-for-marvelparamounts-captain-america/

http://www.nytimes.com/2007/04/01/movies/01lim.html?_r=1